Jean Auguste Dominique Ingres

J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.


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Jean Auguste Dominique Ingres Le Grande Odalisque oil


Le Grande Odalisque
Painting ID::  10478
Le Grande Odalisque
1814. Oil on canvas Louvre, Paris, France
1814._Oil_on_canvas_ Louvre,_Paris,_France
   
   
     

Jean Auguste Dominique Ingres Portrait of Madame de Senonnes. oil


Portrait of Madame de Senonnes.
Painting ID::  10479
Portrait of Madame de Senonnes.
1814-16Oil on canvas Museum des Beaux-Arts, France
1814-16Oil_on_canvas_ Museum_des_ Beaux-Arts,_France
   
   
     

Jean Auguste Dominique Ingres Roger Delivering Angelica. oil


Roger Delivering Angelica.
Painting ID::  10480
Roger Delivering Angelica.
1819. Oil on canvas. Louvre, Paris,
1819._ Oil_on_canvas._ Louvre,_Paris,
   
   
     

Jean Auguste Dominique Ingres The Virgin of the Host oil


The Virgin of the Host
Painting ID::  10481
The Virgin of the Host
1841. Oil on canvas. The Pushkin Museum of Fine Art, Moscow.
   
   
     

Jean Auguste Dominique Ingres Odalisque and Slave oil


Odalisque and Slave
Painting ID::  10482
Odalisque and Slave
1842. Oil on canvas Walters Art Gallery, Baltimore, MD, USA
   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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